EPÆG Publications



C. Muth, V. M. Hesslinger, and C. C. Carbon (2018). Variants of Semantic Instability (SeIns) in the arts. A classification study based on experiential reports. Psychology of Aesthetics, Creativity, and the Arts, 12(1), 11-23. doi:10.1037/aca0000113.


C. D. Güss, D. Hauth, F. Wiltsch, C. C. Carbon, A. Schütz, and K. Wanninger (2018). Patience in Everyday Life: Three Field Studies in France, Germany, and Romania. Journal of Cross-Cultural Psychology, 49(3), 355-380. doi:10.1177/0022022117735077.


A. Pastukhov, J. Prasch, and C. C. Carbon (2018). Out of sight, out of mind: Occlusion and eye closure destabilize moving bistable structure-from-motion displays. Attention, Perception, & Psychophysics, , . doi:10.3758/s13414-018-1505-z.


C. C. Carbon (2018). Lothian, A. The Science of Scenery: How We View Scenic Beauty, What It Is, Why We Love It, and How to Measure and Map It. Perception, 47(4), 470-471. doi:10.1177/0301006617753002.


C. C. Carbon and A. Pastukhov (2018). Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks. Frontiers in Psychology, 9(454), 1-7. doi:10.3389/fpsyg.2018.00454.


A. Pastukhov, C. R. Zaus, S. Aleshin, J. Braun, and C. C. Carbon (2018). Perceptual coupling induces co-rotation and speeds up alternations in adjacent bi-stable structure-from-motion objects. Journal of Vision, 18(4), 21. doi:10.1167/18.4.21.



C. C. Carbon (2017). Universal principles of depicting oneself across the centuries: From Renaissance self-portraits to selfie-photographs. Frontiers in Psychology: Human-Media Interaction, 8(245), 1-9.


V. M. Hesslinger, C. C. Carbon, and H. Hecht (2017). Social Factors in Aesthetics: Social Conformity Pressure and a Sense of Being Watched Affect Aesthetic Judgments. I-Perception, 8(6), 1-16. doi:10.1177/2041669517736322.


S. A. Ortlieb and C. C. Carbon (2017). Kitsch oder Coping? Die biologischen Grundlagen der sozialen Motivation als Determinanten des ästhetischen Erlebens in Evolutionäre Ästhetik. Lengerich, Germany: Pabst.


C. C. Carbon (2017). Measurement problems and measurement strategies for capturing the rich experience of art. Electronic Imaging, 2017(14), 242-247. doi:10.2352/ISSN.2470-1173.2017.14.HVEI-151.


T. M. Schneider and C.-C. Carbon (2017). Taking the Perfect Selfie: Investigating the Impact of Perspective on the Perception of Higher Cognitive Variables. Frontiers in Psychology, 8(971), . doi:10.3389/fpsyg.2017.00971.


B. E. Wirth and C. C. Carbon (2017). An easy game for frauds? Effects of professional experience and time pressure on passport-matching performance. Journal of Experimental Psychology: Applied, 23(2), 138-157. doi:10.1037/xap0000114.


F. Gebauer, M. H. Raab, and C. C. Carbon (2017). Imagine all the forces: The impact of threatening news coverage on the willingness to militarily engage in the resurgence of the East versus West conflict. Journal of Media Psychology-Theories Methods and Applications, 29(2), 102-108. doi:10.1027/1864-1105/a000180.


C. C. Carbon and F. Gebauer (2017). The Safe-Range-Inventory (SRI): An assistance tool for optimizing the charging infrastructure for electric vehicles. Transportation Research Part F: Traffic Psychology and Behaviour, 47, 101-113.


T. Abdi, B. H. Hailu, A. Andualem., T. P. H. A. J. M. van Gelder, M. P. Hagenzieker, and C. C. Carbon (2017). Road crashes in Addis Ababa, Ethiopia: Empirical findings between the years 2010 and 2014. African Research Review: An international multi-disciplinary journal, 11(2), 1-13.


C. C. Carbon and F. Gebauer (2017). Dataset: SafeRangeInventory (SRI).. osf.io/bveyw.


C. Mongoven and C. C. Carbon (2017). Acoustic Gestalt: On the perceptibility of melodic symmetry. Musicae Scientiae, 21(1), 41-59. doi:10.1177/1029864916637116.


C. Muth, S. Albrecht, and C. C Carbon (2017). Affect and self-efficacy infuse the experience of ambivalent photographs. Psihologija, 50(3), 307-317.


S. Ortlieb, I. Stojilovic, D. Rutar, U. Fischer, and C. C Carbon (2017). On kitsch and kič: Comparing kitsch concepts from Bavaria, Serbia and Slovenia. Psihologija, 50(3), 357-381.


C. C. Carbon (2017). Art perception in the museum: How we spend time and space in art exhibitions. I-Perception, 8(1), 1-15. doi:10.1177/2041669517694184.


C. Muth, M. H. Raab, and C. C. Carbon (2017). Expecting the unexpected: How gallery-visitors experience Semantic Instability in art. Art & Perception, 5(2), 1-22.


V. M. Hesslinger, C. C. Carbon, and H. Hecht (2017). The Sense of Being Watched Is Modulated by Arousal and Duration of the Perceptual Episode. I-Perception, 8(6), 1-11. doi:10.1177/2041669517742179.



S. Utz and C. C. Carbon (2016). Is the Thatcher illusion modulated by face familiarity ? Evidence from an eye tracking study.. PlosOne, 11(10), e0163933. doi:10.1371/journal.pone.0163933.


F. Gebauer, M. H. Raab, and C. C. Carbon (2016). Conspiracy formation is in the detail: On the interaction of conspiratorial predispositions and semantic cues. Applied Cognitive Psychology, 30(6), 917-924. doi:10.1002/acp.3279.


C. Muth, M. H. Raab, and C. C. Carbon (2016). Semantic stability is more pleasurable in unstable episodic contexts. On the relevance of perceptual challenge in art appreciation. Frontiers in Human Neuroscience, 10, . doi:10.3389/fnhum.2016.00043.


C. Muth and C. C. Carbon (2016). SeIns: Semantic instability in art. Art & Perception, 4, 145-184.


S. Ortlieb, U.C. Fischer, and C. C. Carbon (2016). Enquiry into the Origin of Our Ideas of the Sublime and Beautiful: Is there a Male Gaze in Empirical Aesthetics?. Art & Perception, 4, 205-224.


C. C. Carbon (2016). Creating a framework for holistic assessment of aesthetics: A response to Nilsson and Axelsson (2015) on attributes of aesthetic quality of textile quality. Perceptual and Motor Skills, 122(1), 96-100. doi:10.1177/0031512516628366.


C. C. Carbon (2016). The folded paper size illusion: Evidence of inability to perceptually integrate more than one geometrical dimension. I-Perception, 7(4), . doi:10.1177/2041669516658048.


V. M. Hesslinger and C. C. Carbon (2016). #TheDress: The role of illumination information and individual differences in the psychophysics of perceiving white‐blue ambiguities. I-Perception, 7(2), 1-10.


C. C. Carbon and S. Albrecht (2016). The Fluency Amplification Model supports the GANE principle of arousal enhancement. Behavioral and Brain Sciences, 39, .


F. Gebauer, R. Vilimek, A. Keinath, and C. C. Carbon (2016). Changing attitudes towards e-mobility by actively elaborating fast-charging technology. Technological Forecasting and Social Change, 106, 31-36.


S. Roder, C. C. Carbon, T. K. Shackelford, K. Pisanski, B. Weege, and B. Fink (2016). Men"s visual attention to and perceptions of women"s dance movements. Personality and Individual Differences, 101, 1-3. doi:10.1016/j.paid.2016.05.025.


F. Gebauer, M. H. Raab, and C. C. Carbon (2016). Back to the USSR: How colors might shape the political perception of East versus West. I-Perception, 7(6), . doi:Artn 2041669516676823 10.1177/2041669516676823.



C. Muth, M. H. Raab, and C. C. Carbon (2015). The stream of experience when watching artistic movies. Dynamic aesthetic effects revealed by the Continuous Evaluation Procedure (CEP). Frontiers in Psychology, 6, . doi:10.3389/fpsyg.2015.00365.


C. C. Carbon and V. M. Hesslinger (2015). On the nature of the background behind Mona Lisa. Leonardo, 48(2), 182-184. doi:10.1162/LEON_a_00980.


C. C. Carbon and V. M. Hesslinger (2015). Restoring depth to Leonardo"s Mona Lisa. American Scientist, 103(6), 404-409.


S. Roder, B. Weege, C. C. Carbon, T. K. Shackelford, and B. Fink (2015). Men"s perception of women"s dance movements depends on mating context, but not men"s sociosexual orientation. Personality and Individual Differences, 86, 172-175. doi:10.1016/j.paid.2015.06.020.


C. C. Carbon (2015). The moon as a tiny bright disc: Insights from observations in the planetarium. Perception, 44(7), 821-824. doi:10.1177/0301006615594699.


G. Harsanyi and C. C. Carbon (2015). How perception affects racial categorization: On the influence of initial visual exposure on labelling people as diverse individuals or racial subjects. Perception, 44(1), 100-102. doi:10.1068/P7854.


A. Lueschow, J. E. Weber, C.-C. Carbon, I. Deffke, T. Sander, T. Grüter, M. Grüter, L. Trahms, and G. Curio (2015). The 170ms response to faces as measured by MEG (M170) is consistently altered in congenital prosopagnosia. PLoS ONE, 10(9), e0137624. doi:10.1371/journal.pone.0137624.


V. M. Hesslinger, L. Goldbach, and C. C. Carbon (2015). Men in red: A reexamination of the red-attractiveness effect. Psychonomic Bulletin & Review, 22(4), 1142-1148.


K. Weth, M. H. Raab, and C. C. Carbon (2015). Investigating emotional responses to self-selected sad music via self-report and automated facial analysis. Musicae Scientiae, 19(4), 412-432. doi:10.1177/1029864915606796.


C. Muth, V. M. Hesslinger, and C. C. Carbon (2015). The appeal of challenge in the perception of art: How ambiguity, solvability of ambiguity and the opportunity for insight affect appreciation. Psychology of Aesthetics, Creativity, and the Arts, 9(3), 206-216.



C. C. Carbon (2014). Understanding human perception by human-made illusions. Frontiers in Human Neuroscience, 8(566), 1-6. doi:10.3389/fnhum.2014.00566.


C. C. Carbon and V. M. Hesslinger (2014). Stable aesthetic standards delusion: Changing “artistic quality” by elaboration. Perception, 43, 1006-1013. doi:10.1068/p7709.


S. Wolz and C. C. Carbon (2014). What’s wrong with an art fake? Cognitive and emotional variables influenced by authenticity status of artworks. Leonardo, 47(5), 467-473. doi:10.1162/LEON_a_00869.


C. C. Carbon and M. E. Schwarz (2014). The share price neglect: Inverse exponential relation between stock share price and risk tolerance. International Journal of School Psychology and Cognitive Psychology, 1(102), 1-7.


C. C. Carbon and B. E. Wirth (2014). Neanderthal paintings? Production of prototypical human (Homo sapiens) faces shows systematic distortions. Perception, 43(1), 99-102.


S. Albrecht and C. C. Carbon (2014). The Fluency Amplification Model: Fluent stimuli show more intense but not evidently more positive evaluations. Acta Psychologica, 148, 195-203. doi:10.1016/j.actpsy.2014.02.002.


Z. Cattaneo, C. Lega, J. Boehringer, M. Gallucci, L. Girelli, and C. C. Carbon (2014). Happiness takes you right: The effect of emotional stimuli on line bisection. Cognition & Emotion, 28(2), 325-344. doi:Doi 10.1080/02699931.2013.824871.


Z. Cattaneo, C. Renzi, S. Bona, L. B. Merabet, C. C. Carbon, and T. Vecchi (2014). Hemispheric asymmetry in discriminating faces differing for featural or configural (second-order relations) aspects. Psychonomic Bulletin & Review, 21(2), 363-369.


B. Leidenfrost, B. Strassnig, M. Schütz, C. C. Carbon, and A. Schabmann (2014). The impact of peer mentoring on mentee academic performance: Is any mentoring style better than no mentoring at all?. International Journal of Teaching and Learning in Higher Education, 26(1), 102-111.



C. C. Carbon, S. J. Faerber, G. Gerger, M. Forster, and H. Leder (2013). Innovation is appreciated when we feel safe: On the situational dependence of the appreciation of innovation. International Journal of Design, 7(2), 43-51.


M. H. Raab, S. A. Ortlieb, K. Guthmann, N. Auer, and C. C. Carbon (2013). Thirty shades of truth: conspiracy theories as stories of individuation, not of pathological delusion. Frontiers in Personality Science and Individual Differences, 4(406), .


M. H. Raab, N. Auer, S. A. Ortlieb, and C. C. Carbon (2013). The Sarrazin effect: The presence of absurd statements in conspiracy theories makes canonical information less plausible. Frontiers in Personality Science and Individual Differences, 4(453), 1-8.


R. Planinc, M. Kampel, S. Ortlieb, and C. C. Carbon (2013). User-centered design and evaluation of an ambient event detector based on a balanced scorecard approach. Journal on Advances in Life Sciences, 5(3&4), 237-249.


C. Muth, R. Pepperell, and C. C. Carbon (2013). Give me Gestalt! Preference for Cubist artworks revealing high detectability of objects. Leonardo, 46(5), 488-489. doi:10.1162/LEON_a_00649.


S. J. Faerber and C. C. Carbon (2013). Jump on the innovator"s train: Cognitive principles for creating appreciation in innovative product design. Research in Engineering Design, 24(3), 313-319.


C. Muth and C. C. Carbon (2013). The Aesthetic Aha: On the pleasure of having insights into Gestalt. Acta Psychologica, 144(1), 25-30. doi:10.1016/j.actpsy.2013.05.001.


T. Ditye, A. H. Javadi, C. C. Carbon, and V. Walsh (2013). Sleep facilitates long-term face adaptation. Proceedings of the Royal Society: Biological Sciences, 280(1769), 20131698. doi:10.1098/rspb.2013.1698.


C. C. Carbon (2013). BiDimRegression: Bidimensional regression modeling using R. Journal of Statistical Software, Code Snippets, 52(1), 1-11. doi:10.1080/10618600.2013.796814.


Z. Cattaneo, T. Vecchi, M. Monegato, A. Pece, L. B. Merabet, and C. C. Carbon (2013). Strabismic amblyopia affects relational but not featural and Gestalt processing of faces. Vision Research, 80, 19-30. doi:DOI 10.1016/j.visres.2013.01.007.


C. C. Carbon (2013). German Bundesrat proposes second usage of publicly funded research. Current Science, 104(3), 283-283.


C. C. Carbon (2013). Creating a framework for experimentally testing early visual processing: A response to Nurmoja, et al. (2012) on trait perception from pixelized faces. Perceptual and Motor Skills, 117(1), 215-218. doi:Doi 10.2466/24.22.Pms.117x12z8.


C. Renzi, S. Schiavi, C. C. Carbon, T. Vecchi, J. Silvanto, and Z. Cattaneo (2013). Processing of featural and configural aspects of faces is lateralized in dorsolateral prefrontal cortex: A TMS study. Neuroimage, 74, 45-51. doi:10.1016/j.neuroimage.2013.02.015.


C. C. Carbon and P. Deininger (2013). Golden perception: Simulating perceptual habits of the past. I-Perception, 4(6), 468-476. doi:10.1068/i0605.


C. C. Carbon, M. Grüter, and T. Grüter (2013). Age-dependent face detection and face categorization performance. PlosOne, 8(10), e79164.


U. Schmid, M. Siebers, J. Folger, S. Schineller, D. Seuß, M. Raab, C. C. Carbon, and S. J. Faerber (2013). A cognitive model for predicting esthetical judgements as similarity to dynamic prototypes. Cognitive Systems Research, 24, 72-79.


C. C. Carbon and V. M. Hesslinger (2013). Da Vinci’s Mona Lisa entering the next dimension. Perception, 42(8), 887-893. doi:10.1068/p7524.


C. C. Carbon and V. M. Hesslinger (2013). Attitudes and cognitive distances: On the non-unitary and flexible nature of cognitive maps. Advances In Cognitive Psychology, 9(3), 121-129.


T. M. Schneider, H. Hecht, J. Stevanov, and C. C. Carbon (2013). Cross-ethnic assessment of body weight and height on the basis of faces. Personality and Individual Differences, 55, 356-360.


C. C. Carbon and V. M. Hesslinger (2013). Navigating through a volumetric world does not imply needing a full 3D-representation. Behavioral Brain Sciences, , .


T. Strobach and C. C. Carbon (2013). Face adaptation effects: Reviewing the impact of adapting information, time, and transfer. Frontiers in Perception Science, 4(318), 1-12.


C. C. Carbon and M. Jakesch (2013). A model for haptic aesthetic processing and its implications for design. Proceedings of the IEEE, 101(9), 1-11. doi:10.1109/JPROC.2012.2219831.



C. C. Carbon and J. P. L. Schoormans (2012). Rigidity rather than age as a limiting factor to appreciate innovative design. Swiss Journal of Psychology, 71(2), 51-58.


C. C. Carbon (2012). Dynamics of aesthetic appreciation. Human Vision and Electronic Imaging, 8291(1A), 1-6. doi:10.1117/12.916468.


J. Blijlevens, C. C. Carbon, R. Mugge, and J. P. L. Schoormans (2012). Aesthetic appraisal of product designs: Independent effects of typicality and arousal. British Journal of Psychology, 103, 44-57. doi:10.1111/j.2044-8295.2011.02038.x.


S. J. Faerber and C. C. Carbon (2012). The power of liking: Highly sensitive aesthetic processing for guiding us through the world. I-Perception, 3, 553-561.


C. C. Carbon and S. Albrecht (2012). Bartlett"s schema theory: The unreplicated "portrait d"homme" series from 1932. Quarterly Journal of Experimental Psychology, 65(11), 2258–2270. doi:10.1080/17470218.2012.696121.


C. C. Carbon and T. Ditye (2012). Face adaptation effects show strong and long-lasting transfer from lab to more ecological contexts. Frontiers in Perception Science, 3(3), 1-6.


T. M. Schneider, H. Hecht, and C. C. Carbon (2012). Judging body weight from faces: The height-weight illusion. Perception, 41(1), 121-124. doi:10.1068/p7140.


M. Jakesch and C. C. Carbon (2012). The Mere Exposure Effect in the domain of haptics. PLoS ONE, 7(2), . doi:10.1371/journal.pone.0031215.


M. D. Augustin, J. Wagemans, and C. C. Carbon (2012). All is beautiful? Generality vs. specificity of word usage in visual aesthetics. Acta Psychologica, 139(1), 187-201. doi:10.1016/j.actpsy.2011.10.


M. D. Augustin, C. C. Carbon, and J. Wagemans (2012). Artful terms: A study on aesthetic word usage for visual art versus film and music. I-Perception, 3, 319-337.



C. C. Carbon (2011). Cognitive mechanisms for explaining dynamics of aesthetic appreciation. I-Perception, 2, 708-719. doi:10.1068/i0463aap.


A. Hergovich, K. Grobl, and C. C. Carbon (2011). The paddle move commonly used in magic tricks as a means for analysing the perceptual limits of combined motion trajectories. Perception, 40(3), 358-366. doi:10.1068/P6866.


C. C. Carbon and V. M. Hesslinger (2011). Bateson et al.’s (2006) Cues-of-being-watched paradigm revisited. Swiss Journal of Psychology, 70(4), 203-210. doi:10.1024/1421-0185/a000058.


M. D. Augustin, B. Defranceschi, H. K. Fuchs, C. C. Carbon, and F. Hutzler (2011). The neural time course of art perception: An ERP study on the processing of style versus content in art. Neuropsychologia, 49, 2071-2081.


C. C. Carbon (2011). The Carbon_h-Factor: Predicting Individuals" Research Impact at Early Stages of Their Career. PLoS ONE, 6(12), e28770. doi:10.1371/journal.pone.0028770.


C. C. Carbon (2011). The first 100 milliseconds of a face: On the microgenesis of early face processing. Perceptual and Motor Skills, 113(3), 859-874. doi:10.2466/07.17.22.Pms.113.6.859-874.


G. Gerger, H. Leder, S. J. Faerber, and C. C. Carbon (2011). When the others matter: Context-dependent effects on changes in appreciation of innovativeness. Swiss Journal of Psychology, 70(2), 75-83.


B. Leidenfrost, B. Strassnig, A. Schabmann, C. Spiel, and C. C. Carbon (2011). Peer mentoring styles and their contribution to academic success among mentees: A person-oriented study in Higher Education. Mentoring & Tutoring: Partnership in Learning, 19(3), 347-364.


T. Grüter, M. Grüter, and C. C. Carbon (2011). Congenital prosopagnosia. Diagnosis and mental imagery: Commentary on: Tree JJ, and Wilkie J. Face and object imagery in congenital prosopagnosia: A case series. Cortex, 47, 511-513.


M. Jakesch, M. Zachhuber, H. Leder, M. Spingler, and C. C. Carbon (2011). Scenario-based touching: On the influence of top-down processes on tactile and visual appreciation. Research in Engineering Design., 22, 143-152.


C. C. Carbon and T. Ditye (2011). Sustained effects of adaptation on the perception of familiar faces. Journal of Experimental Psychology: Human Perception & Performance, 37(3), 615-625. doi:10.1037/A0019949.


T. Strobach, T. Ditye, and C. C. Carbon (2011). Long-term adaptation effects of highly familiar faces are modulated by adaptation duration. Perception, 40, 1000-1004.


V. Gattol, M. Saaksjarvi, and C. C. Carbon (2011). Extending the Implicit Association Test (IAT): Assessing consumer attitudes based on multi-dimensional implicit associations. PLoS ONE, 6(1), e15849. doi:10.1371/journal.pone.0015849.


J.P.L. Schoormans, C. C. Carbon, and V. Gattol (2011). "It"s time to take a stand": Depicting crosshairs can indeed promote violence. Perception, 40(3), 371-372.



C. C. Carbon and J. P. L. Schoormans (2010). And the winner is: Globalization. Olympic gold medals as indicator for a global world. Current Science, 99(1), 20-20.


S. J. Faerber, H. Leder, G. Gerger, and C. C. Carbon (2010). Priming semantic concepts affects the dynamics of aesthetic appreciation. Acta Psychologica, 135(2), 191-200. doi:10.1016/j.actpsy.2010.06.006.


C. C. Carbon (2010). Fundamental change in German research policy. Science, 328(5978), 569-569.


B. Belke, H. Leder, T. Strobach, and C. C. Carbon (2010). Cognitive fluency: High-level processing dynamics in art appreciation. Psychology of Aesthetics, Creativity, and the Arts, 4(4), 214-222.


B. Belke, H. Leder, G. Harsanyi, and C. C. Carbon (2010). When a Picasso is a "Picasso": The entry point in the identification of visual art. Acta Psychologica, 133(2), 191-202.


I. Bohrn, C. C. Carbon, and F. Hutzler (2010). Mona Lisa"s smile: Perception or deception?. Psychological Science, 21(3), 378-380. doi:10.1177/0956797610362192.


C. C. Carbon, T. Gruter, M. Gruter, J. E. Weber, and A. Lueschow (2010). Dissociation of facial attractiveness and distinctiveness processing in congenital prosopagnosia. Visual Cognition, 18(5), 641-654. doi:10.1080/13506280903462471.


C. C. Carbon (2010). Cognitive continental drift: How attitudes can change the overall pattern of cognitive distances. Environment and Planning A, 42(3), 715-728.


C. C. Carbon (2010). The Earth is flat when personally significant experiences with the sphericity of the Earth are absent. Cognition, 116(1), 130-135. doi:10.1016/j.cognition.2010.03.009.


T. Grüter and C. C. Carbon (2010). Escaping attention. Some cognitive disorders can be overlooked. Science, 328(5977), 435-436.


S. Windhager, F. Hutzler, C. C. Carbon, E. Oberzaucher, K. Schaefer, T. Thorstensen, H. Leder, and K. Grammer (2010). Laying eyes on headlights: Eye tracking reveals facial features in cars. Collegium Antropologikum, 34(3), 1075-1080.


C. C. Carbon (2010). The cycle of preference: Long-term dynamics of aesthetic appreciation. Acta Psychologica, 134(2), 233-244. doi:10.1016/j.actpsy.2010.02.004.



C. C. Carbon (2009). Science means jobs - on the necessity of planning reliability in science. Current Science, 96(7), 875-875.


T. Grüter, M. Grüter, V. Bell, and C. C. Carbon (2009). Visual mental imagery in congenital prosopagnosia. Neuroscience Letters, 453(3), 135-140.


C. C. Carbon (2009). European publication issues from an Austrian perspective. Psychology Science Quarterly, 51, 69-87.


B. Leidenfrost, B. Strassnig, A. Schabmann, and C. C. Carbon (2009). Improvement of the study situation for beginners through cascaded blended mentoring. Psychologische Rundschau, 60(2), 99-109.


B. Derntl, E. M. Seidel, E. Kainz, and C. C. Carbon (2009). Recognition of emotional expressions is affected by inversion and presentation time. Perception, 38(12), 1849-1862. doi:10.1068/P6448.



C. C. Carbon, L. Michael, and H. Leder (2008). Design evaluation by combination of repeated evaluation technique and measurement of electrodermal activity. Research in Engineering Design, 19(2-3), 143-149. doi:10.1007/s00163-008-0045-2.


T. Grüter, M. Grüter, and C. C. Carbon (2008). Neural and genetic foundations of face recognition and prosopagnosia. Journal of Neuropsychology, 2(1), 79-97.


M. D. Augustin, H. Leder, F. Hutzler, and C. C. Carbon (2008). Style follows content: On the microgenesis of art perception. Acta Psychologica, 128(1), 127-138. doi:10.1016/j.actpsy.2007.11.006.


C. C. Carbon (2008). Second Basket"s negative impact. Science, 319(5869), 1483.


C. C. Carbon (2008). Famous faces as icons: The illusion of being an expert in the recognition of famous faces. Perception, 37, 801-806. doi:10.1068/p5789.


C. C. Carbon (2008). Web of Science: Science trapped in a spider"s web. Current Science, 94(10), 1234-1234.



C. C. Carbon, T. Strobach, S. Langton, G. Harsanyi, H. Leder, and G. Kovacs (2007). Adaptation effects of highly familiar faces: Immediate and long lasting. Memory and Cognition, 35(8), 1966-1976.


C. C. Carbon (2007). Autobahn people: Distance estimations between German cities biased by social factors and the Autobahn. Lecture Notes in Artificial Science, 4387, 489-500.


C. C. Carbon, T. Grüter, J. E. Weber, and A. Lueschow (2007). Faces as objects of non-expertise: Processing of Thatcherised faces in congenital prosopagnosia. Perception, 36(11), 1635-1645.


C. C. Carbon and H. Leder (2007). Design evaluation: From typical problems to state-of-the-art solutions.. Marketing Review St. Gallen (Thexis), 2007(2), 33-37.


H. Leder, C. C. Carbon, and R. Kreuzbauer (2007). Product-design perception and brand strength. Marketing Review St. Gallen (Thexis), 2007(2), 4-7.



C. C. Carbon (2006). On the processing and representation of complex visual objects (Habilitation). Faculty of Psychology, University of Vienna, Vienna.


H. Leder and C. C. Carbon (2006). Face-specific configural processing of relational information. British Journal of Psychology, 97(1), 19-29.


H. Leder, C. C. Carbon, and A. L. Ripsas (2006). Entitling art: Influence of title information on understanding and appreciation of paintings. Acta Psychologica, 121(2), 176-198. doi:10.1016/j.actpsy.2005.08.005.


C. C. Carbon and H. Leder (2006). When faces are heads: View-dependent recognition of faces altered relationally or componentially. Swiss Journal of Psychology, 65(4), 245-252.


C. C. Carbon and H. Leder (2006). The Mona Lisa effect: Is "our" Lisa fame or fake?. Perception, 35(3), 411-414.


C. C. Carbon, F. Hutzler, and M. Minge (2006). Innovation in design investigated by eye movements and pupillometry. Psychology Science, 48(2), 173-186.



C. C. Carbon and H. Leder (2005). The wall inside the brain: Overestimation of distances crossing the former iron curtain. Psychonomic Bulletin and Review, 12(4), 746-750.


C. C. Carbon, S. R. Schweinberger, J. M. Kaufmann, and H. Leder (2005). The Thatcher illusion seen by the brain: An event-related brain potentials study. Cognitive Brain Research, 24(3), 544-555.


H. Leder and C. C. Carbon (2005). Dimensions in appreciation of car interior design. Applied Cognitive Psychology, 19(5), 603-618.


H. Leder and C. C. Carbon (2005). When context hinders! Learn-test compatibility in face recognition. Quarterly Journal of Experimental Psychology Section A: Human Experimental Psychology, 58(2), 235-250.


C. C. Carbon and H. Leder (2005). When feature information comes first! Early processing of inverted faces. Perception, 34(9), 1117-1134.


C. C. Carbon and H. Leder (2005). Face adaptation: Changing stable representations of familiar faces within minutes?. Advances In Cognitive Psychology, 1(1), 1-7.


C. C. Carbon and H. Leder (2005). The Repeated Evaluation Technique (RET): A method to capture dynamic effects of innovativeness and attractiveness. Applied Cognitive Psychology, 19(5), 587-601. doi:10.1002/acp.1098.



H. Leder and C. C. Carbon (2004). Part-to-whole effects and configural processing in faces. Psychology Science, 46(4), 531-543.



A. Schwaninger, C. C. Carbon, and H. Leder (2003). Expert face processing: Specialization and constraints in The development of face processing. Göttingen: Hogrefe & Huber.



C. C. Carbon (1999). Konnektionistische Systeme: Simuliertes "Bewußtsein" oder Bewußtsein selbst? [Connectionism: may connectionist systems develop form of consciousness?] (MA Thesis). Institute of Philosophy, University of Trier, Trier, Germany.



C. C. Carbon (1998). Emotionale und konfigurale Einflüsse auf die Verarbeitung räumlicher Informationen [Influences of emotional and configural variables on the processing of spatial information] (Diploma thesis (Dipl.-Psych.)). Department of Cognitive and General Psychology and advanced methods in Psychology, University of Trier, Trier, Germany.